For this unit, you have
several project options. You may work in groups for the modern adaptations
only. Groups must keep to the same seminar teachers.
Please note: We are happy to provide this creative
alternative to an essay or test. However, please keep in mind the spirit of this assignment, which is
for you to demonstrate an understanding of Chaucer, his time, and his works.
Please read the assignment carefully and fulfill its requirements! Also, you
must cite page numbers and use our class translation to receive credit for this
assignment!!
Create a modern tale which
mimics the structure and purpose of ChaucerŐs tale. Write from the point of
view of a contemporary traveler, heading for a destination of worship (not
necessarily religious) with a group of friends and acquaintances. For your
pilgrimage, you must do the following:
1. Assume a persona: a football player, a teacher, a lawyer, a secretary, a
person of ill repute, a construction worker, etc.. (Perhaps draw upon your own
job experiences?)
2. Include a PROLOGUE in which you introduce the
circumstances of the journey and the characters involved (no less than three,
no more than five).
3. Write a linking prologue plus a tale by at least two
of the characters. Employ one of the multiple types of tales used by Chaucer
– i.e. fable, exemplum, sermon, romance, etc. These will of course be a
great deal shorter than any of ChaucerŐs tales due to space available.
4. Your tale(s) should have some moral truth, value, or
advice to offer.
5. Write in iambic pentameter rhyming couplets, as
Geoffrey Chaucer does in The Canterbury TalesŐ original form (that is, é/ é/ é/ é/ é/). If you cannot maintain this meter and do it with
some skill, then avoid this assignment. The most you will score without achieving successful meter
is an 80%.
6. Edit your work before writing a final draft. You must
use appropriate punctuation and grammar. That this is in verse is not an excuse
to abandon mechanical accuracy.
7. Please keep this between three and six typed pages.
You will be graded
on: how well you adhere to the
stated criteria; imagination and creativity; skill; humor; presentation;
mechanical accuracy.
Cast the pilgrims (at least
10) using modern-day actors. You must cast all the pilgrims whose stories we
have read or discussed (the Miller, The Reeve, the Wife of Bath, the NunŐs
Priest, the Pardoner, the NunŐs Priest, and The Knight), plus four additional choices from the General Prologue. For each
pilgrim, include an image of your chosen actor, and a paragraph description
(about 150 – 300 words) of why that actor is ideal for the role. This must
include specific references to the text itself. That means quotations –
and please cite appropriately!
You should be able to justify your decisions not only based on the physical
descriptions of the character, but also the characterŐs personality. Cite other
roles your actor has played as evidence of their compatibility with this character.
For characters whose tales you were assigned to read, you must take into
account the deeper understanding of these characters you should have based upon
reading their tales!
Create Myspace pages for at
least three of the pilgrims – these could be turned in either in
electronic form or hard copy. Some possibilities to include: profiles, friends,
details, blog entries, favorites, etc. Be sure you capture the essence of the
character!
Fill out the Common
Application (easily available online at www.commonapp.org ; we also have hard
copies available) for the Wife of Bath or the Pardoner. Please include essays
and write at least two teacher recommendations as well of about a page in
length each!
Please create a board game
that encapsulates the essence of The Canterbury Tales. We donŐt want to limit your creativity too much with
too many stipulations here. Suffice it to say, the ultimate aim of this is to
show a deep understanding of the text: its characters, events, and themes. This
assignment should include a one page write-up explaining your decisions as a
reflection of CT (this is in
addition to any instructions).
For those of you with an
artistic bent, draw/paint/create portraits of six of the pilgrims. At least
four of those portraits should be of pilgrims whose tales we have read for
class (the knight may be counted here, although we did not actually read his tale). For each portrait, write a paragraph
explanation of the artistic decisions you made based on evidence from the text,
both from the General Prologue and, if applicable, the linking prologue and
character tale. Please do a bit of research into the dress of the time. We do
not want anachronisms. Please do not do this option if you have no artistic
talent! We do not want to look at stick figures.
Employ another text from
Humanities to illuminate some aspect of The Canterbury Tales, as per the following prompts:
The same rules apply to this
essay as to previous essays. This should be over three pages (1100 words),
typed. Your essay should have a cover sheet with appropriate information on it
(including seminar number).
Put the characters in a
modern context that suitably reveals the characters, their stories, ChaucerŐs
attitude about them, and message about their particular flaws. Your options include:
-
appropriate television
shows like Judge JudyŐs court; the nightly news, Entertainment Tonight; Oprah Winfrey. Banned as possibilities are Jerry Springer, Howard Stern,
Maury, any reality TV show, or any other shows we donŐt know about that are too
tasteless to be interesting and therefore appropriate. If you want to use some
television format not mentioned here, please check with your teacher first!
-
A Dr. Laura radio
call-in show
-
A sensational
scandal-rag coverage of characters and their activities in a National-Enquirer-
like newspaper
-
Magazines like People or Seventeen (donŐt forget a personals section)
Whatever you choose to do,
you must show us the charactersŐ situations and unique personalities. Remember,
Chaucer uses dry humor and often satirical wit to paint a picture of each
character. Incorporate some of ChaucerŐs humor and style into your project.
Generally, capture the essence of the stories and ChaucerŐs message –
whatever it happens to be – in regard to this character or group of
characters and their activities. You must include a script with all filmed or taped products!
No script means no grade!